CODE SWITCH: DISTRIBUTING BLACKNESS, REPROGRAMMING INTERNET ART

Code switch:
Distributing Blackness, Reprogramming Internet Art
May 2 – August 10, 2025
Central and Front Galleries, and Mike Kelley’s Mobile Homestead

Image: Graphic designed by Pacific.
“The need to articulate where exactly the Black avant-garde is propagating is important for Black artists resisting exploitation and de-politicization.”
— ANAÏS (AN) DUPLAN
Code Switch: Distributing Blackness, Reprogramming Internet Art is a multi-sited exhibition exploring and redefining the history of “Black data,” centering and celebrating contributions by artists of African descent to the rapidly advancing field of new media art and digital practice. Drawing its title from André L. Brock’s groundbreaking text Distributed Blackness: African American Cybercultures (2020), this exhibition explores the relationship between Black cultural production and the legacy of computation as a mode of machinic engagement and creative inspiration.

Image: Kalup Linzy, As Da Art World Might Turn (the series) (Season 1) Episodes 1-6, 2013. Copyright Kalup Linzy. Courtesy Electronic Arts Intermix (EAI), New York.
Initiated by The Kitchen, New York City’s center for experimental art and the avant-garde since 1971, the second iteration of Code Switch is presented in collaboration with the Museum of Contemporary Art Detroit (MOCAD). The exhibition builds on a historic archival timeline of radical visions from Black makers and thinkers and brings together an intergenerational roster of contemporary artists to unpack the correlation between body and machine, informed further by the “age of the internet.” With a wide range of disciplines and materials, these artists instruct toward, and intervene within, an expanded definition of “internet art,” indicating that art produced in an era of accelerated mass communication cannot be set apart from a discourse of cybercultures and technology. Life mediated by screens has transformed ways of seeing and—central to this—has transformed, mutated, and modified Black cultural production itself. Code Switch is divided into three “domains”: the first is the time period pre-1960, the second is 1960-1990, and the third takes the view of 1990 to present day. The exhibition at MOCAD follows the initial two domains of the project that debuted at the Schomburg Center for Research in Black Culture in Harlem, New York City last fall (October 15–December 10, 2024). Code Switch surveys how artists and creative technologists rattle the promise of cyberspace as an equitable site of representation and liberation, upending it as an undercurrent and generative force for both inquiry and resistance.

Image: Venusloc (Vanessa Reynolds), Still from F.Y.G. (2022). Courtesy of the artist.
Participating Artists
American Artist, manuel arturo abreu, Minne Atairu, Xenobia Bailey, Neta Bomani, Danielle Braithwaite-Shirley, chukwumaa, Tony Cokes, Shawanda Corbett, Sofía Córdova, Taína Cruz, A.M. Darke, Stephanie Dinkins, Charles Gaines, L. Franklin Gilliam, Cameron A. Granger, fields harrington, Auriea Harvey, Juliana Huxtable, E. Jane, Devin Kenny, Kalup Linzy, Pope.L, Nandi Loaf, Pastiche Lumumba, Julie Mehretu, Nontsikelelo Mutiti, Marilyn Nance, Mendi + Keith Obadike, Ayodamola Okunseinde, Sondra Perry, Howardena Pindell, Venusloc (Vanessa Reynolds), Tabita Rezaire, Kahlil Robert Irving, Cameron Rowland, RaFia Santana, Bogosi Sekhukhuni, Martine Syms, Wes Taylor, -{ john-henry }-[ thompson ], Muriel Tramis, Fatimah Tuggar, and Jack Whitten.
Events
Event information about upcoming exhibitions will be published in spring 2025.
Press + Media
Exhibition title in Publication, Month Day, Year
About Our Partner
Founded in 1971 as an artist-driven collective, The Kitchen today reaffirms and expands upon its originating vision as a dynamic cultural institution that centers artists, prioritizes people, and puts process first. Programming in a kunsthalle model that brings together live performances, exhibition-making, and public programming under one roof, The Kitchen empowers its audiences and communities to think creatively and radically about what it means to shape a multivalent and sustainable future in art. The Kitchen seeks to cultivate and hold space for wild thought, risky play, and innovative and experimental making, encouraging artists and cultural workers alike to defy boundaries and sending them into the world to remake art history and catalyze creative change.
Exhibition Credits
Code Switch: Distributing Blackness, Reprogramming Internet Art is organized by Legacy Russell, Executive Director & Chief Curator, and Angelique Rosales Salgado, Curatorial Assistant, with contributed research by Tsige Tafesse, 2023-2024 Curatorial Fellow, and Kyla Gordon, 2024-2025 Curatorial Fellow, The Kitchen. The third domain as presented here at MOCAD is co-organized in collaboration with Jova Lynne, Co-Director and Artistic Director, and Isabella Nimmo, Associate Curator, MOCAD.
Code Switch is made possible through generous project-specific support from the Teiger Foundation, the National Endowment for the Arts, the Ford Foundation, the Andrew W. Mellon Foundation, as well as The Kitchen’s Board of Directors, Global Council, Leadership Fund, and the Director’s Council.


